I started filming the documentary this week. First thing to do was to shoot some initial cutaway footage. I have about 7 minutes of footage to use throughout the documentary at the moment. Filming buildings helped me get confident in using a camera again (they don’t move or complain I can take my time with them). I have 5 interviewees booked for the next 2 weeks. I met one of them to chat about what I’m doing. I’m meeting a historian tomorrow. Pre-interviews seem like a good idea for a historic doc, meet the person to understand what they have to say and get yourself and them used to one another.

I still have no idea how long this will all take to get done. But I still think it will be done by August. The main problem I foresee now is getting permission for mixed media. Stock footage, permission for paintings, drawings and maps is proving difficult. My original plan was to film paintings from the 1700 century to show the story visually. I’ve seen the paintings I want to film but you have to go through the owner of every painting to get permission.

Business wise I’ve created another website. This one www.amyspicturebox.com will be used for screening my films on as well as the place where people are brought to buy or pre-order my DVDs. I found that a lot of the public when I was filming where interested in the documentary. I’ve made business cards with the new website on so that they can find more information about the film on there. I also need to get Public Liability insurance, sort out my business bank account, waiver forms and all that sort of admin stuff done.  Most of all I find I am enjoying making this.

(Screen grabs are in low quality)

 

 

Photo credit – Jenny Cormack

I’m making a feature length documentary on the History of Liverpool. The city I live in and was born and raised.

The last time I made a film was about a year ago, a short film for my final year of University. Before that I had made around 15 home ‘video handy-cam’ short films. I then spent 12 months working in the film industry but during that time I never touched a camera.

So this will be the first professional project I’ve made.  I’m keeping the first project I do simple.  History has it’s own structure. I’ve never made anything longer than 17 minutes before, but that was a fictional film. I think doing a historical documentary will be easier, since the facts and structure are already written. But maybe I am wrong. I have no idea how hard or time consuming this will be to make a 90 minute film.

So far I’ve been to tourist shops, museums and galleries who are interested in selling the DVD. I’ve been on the Liverpool tourist bus tour to get my head into the history, Visited the Maritime Museum and I’ve been reading on-line. The next step is to write the Voice Over, plan the shots I want and go out and get all the footage.

I have access to equipment thanks to my boyfriend – and will be shooting on a DSLR. My friend Stu Cowley, who has written music for 4 short films of mine before, will be composing music throughout. And my graphic designing brother will be in charge of DVD cover design (the most important thing when it comes to selling in shops is DVD design).

I might be ready to start filming as soon as this Voice Over is written. But just how long will it take for me to make a feature documentary. Can I do it in 2 months? That’s the plan. To have it selling by August.

The thing that’s bogging me down is the vast amount of history there is. I’ve started in the medieval era but during  2000 years so much has happened.  If I can’t make a feature length film with this much information then I’ve got a problem.  It also depends on how many interesting interviews I can get. I’m currently in the search for an historical expert or two.

Next week some basic filming, streets, buildings, skyline shots and tracking down those important interviews. Also do I use my own voice for the Voice Over or an actors? I’ll probably record my voice at first as an example and go from there.

 

So I’m not going to script supervise for the next year and give this a go.

 

I’ve had a great month off, relaxing, being at home and just simple living.

Working on film sets – all the time – has tired me out a little, when I got back from the last set- the thought of going back made me deeply anxious. I had a few weeks of ‘what’s the point in all this’, working for other people, making films, what am I getting from it.

I’ve learnt a lot this past year freelancing, I’ve spent more time working away than doing anything at all. So I started to do things when I got back I painted a picture, I went running, I joined a martial art class, I’ve written a lot, I done a lot thinking and I’ve came to a conclusion.

I’m not going to Script supervise on sets anymore. It’s a bit of a leap back since this is a skill I’ve spent a lot of time trying to master on film sets. It has got me into a professional circle within the industry and I’ve learnt a lot from living on film sets.

However I wanted to work on British film sets and it seems that the majority of sets I’m on are trying to make Hollywood type films in order to make money;  which would be ok if it wasn’t for the fact that the majority pay people poorly.

(The paying people poorly thing really gets to me, it seems no matter what the budget the people at the bottom aren’t paid, instead they work for free justified under the impression of getting work experience. A cycle of unpaid work that many people get stuck in)

I disagree that whatever the budget most of it should be given to a lead actor; when the rest of the cast and crew struggle to make a living working for less than minimum wage. It’s happened on a few features I’ve been on before. I understand that low budgets are needed in order for people to step up; I have nothing against low budgets.

(When I’m given an awful film script to read and have to listen to confused directors and producers think it’ll win awards.)

I’m not happy with the film industry at the moment. Where are all these beautiful films? The British film industry is in stagnation. Perhaps greedy producers and wide eyed directors are to blame. I can’t be on some sets anymore; I’m no good sitting there disagreeing and It’s only been in my head but now it’s time for a change.

And perhaps it mightn’t work but I have some ideas and I’m starting a business of my own. I guess working for others on film sets wasn’t for me.  I don’t want to make Hollywood films after all and that is the only route I see myself heading if I stay where I am.

So it is a massive risk what I’m planning but it will be fun.

 

 

I made a short film for The It’s Liverpool film challenge 2013 yesterday. The brief was to make a film under 5 minutes on the themes of ‘Home’ and ‘Liverpool’. You also needed to mention 3 elements – Five, Birthday and the words ‘There’s no place like home’.

So I ended up making a very personal, choppy film and included a cat in it. Winners are announced at start of next month, and there are cash prizes!

 

I have some personal rules which I follow on film sets. One is never share a drink with someone (germs spread on film sets, it’s so easy to get ill); another is that I always try and make the effort to introduce myself to everyone at least once.

You never know who the people standing around may be- a producer looking to hire future crew, a military advisor with an interesting story, the executive producer of a big company, a new intern, an actor’s mother, someone looking to finance another film.

I’ve met them all and no one else did that day on set. Perhaps other crew where busy, maybe it’s frowned upon for a crew member to be so outgoing. I don’t think shyness helps in this ‘contacts mean everything’ business; I find its good practice to shake hands with everyone.

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Who is Amy Clarke?

Amy Clarke is a 22 year old filmmaker from England. Through this site she wishes to share her knowledge, experiences and passion for film making. Read more About Amy or contact her here

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